The pits, early
Before the crowd, with someone who can explain what you are looking at.
Eight thousand figures, no two faces alike, made by workshops that signed their work because the penalty for a bad one was severe. Understanding how they were made is more interesting than counting them.
Before the crowd, with someone who can explain what you are looking at.
The same clay, the same tools, and your hands on both.
Shaanxi food, then the performance, if you want it.
The figures were not carved. They were built — assembled from moulded components, then finished by hand, which is why the bodies repeat and the faces do not.
The workshop session works with the same local clay and the same basic tools. You will not produce anything good. What you will get is a sudden and physical sense of how much labour eight thousand of these represented, and what it meant that a workshop foreman signed his name into the wet clay knowing what would happen if the piece failed.
The bodies were assembled from standard parts — legs, torsos, arms — and the heads finished individually by hand. It was an early production line with a bespoke final step, and that is what the workshop session teaches.
It has to be fired and cooled, so it ships to you afterwards. Shipping is included and usually takes three to four weeks.
Extremely, from mid-morning. Going at opening is the single biggest improvement you can make to the day.
It is theatrical rather than scholarly — enjoyable, not essential. We leave it optional and you can decide on the day.
Only if you want them. The day is normally private to your party; we also run it as a small group when travellers ask to share, and we will tell you which applies to your dates.